John Lauritsen: The Shelley-Byron Men
Reviewed by Jesse Monteagudo
John Lauritsen is “an independent scholar” who has “the freedom to
tell the truth as I see it, without concerns for career or
‘collegiality’.”
His first contribution to gay studies was 1974's The Early Homosexual Rights Movement (1864-1935),
which he wrote with David Thorstad. Lauritsen has since written
on a variety of topics before he specialized on the English
Romantic poets of the early 19th century, a period that Will and
Ariel Durant called, “next to the age of Elizabeth I, the
brightest flowering in the four centuries of English poetry.”
In The Man Who Wrote Frankenstein
Lauritsen argued that this book was written by Percy Bysshe
Shelley, not by his second wife Mary, and that “male love is the
dominant theme of Frankenstein.” Lauritsen also edited new
editions of Shelley's translations of Plato's The Banquet and Aeschylus's Oresteia and Prometheus Bound,
while at the same time arguing that Shelley was gay, or at least
bisexual. All these books were published by Lauritsen's own
Pagan Press, which he founded in 1982 to “publish books of
interest to the intelligent gay man.”
Much has been written about the same-sex love affairs of George
Gordon, Lord Byron, to convince most people of that poet's
bisexuality. On the other hand, Shelley scholars still
defend their poet's heterosexuality, since he died while he was
still in his twenties and is best remembered for his two
marriages, to Harriet Westbrook and Mary Godwin. In
Lauritsen's new book, The Shelley-Byron Men: Lost Angels of a Ruined Paradise
the two romantic poets are revealed as centers of a literary
group devoted to “male love” and “the homoerotic ethos of Ancient
Greece.”
Along with their friends — Thomas Medwin, Edward John Trelawny
and Edward Ellerker Williams — the poets settled in Pisa, Italy
(1822), where they met daily in Byron's Renaissance palace for
literary discussions that lasted well into the night.
“For too long, biographers have falsified the love lives of the
Shelley-Byron Men. The time has come to bring them into the light
of day,” Lauritsen noted. “It is my contention that these
five men — Byron, Shelley, Medwin, Williams, and Trelawny — along
with Thomas Love Peacock and Thomas Jefferson Hogg in England —
were drawn together by sexual affinities, that they discussed
male love, and endeavored to liberate it.”
That those men lived in exile in Italy is no surprise to
Lauritsen: sodomy was then a capital offense in England, while in
Italy, as with other countries influenced by the Napoleonic Code,
it was legal. Williams was Shelley's “inseparable companion” and,
according to Lauritsen, most likely his lover. The two
youths died together in a boating accident in the Gulf of Spezia
on July 8, 1822. The Shelley-Byron Men were together for
just half a year.
In The Shelley-Byron Men: Lost Angels of a Ruined Paradise,
Lauritsen does not try to “prove” that Shelley, Byron, et al were
“gay” in the modern sense of the word. Instead, Lauritsen
argued “that male love represented an important part of their
lives and works, with male love understood as comprising love,
sex, and friendship.”
Like Walt Whitman later in the century, these men worked for the
emancipation of male love, even if they themselves were not
“liberated” as we understand that term today. Though much
of their work was censored or destroyed after their deaths, “some
of their research, translations, and argumentation (if such there
were) went into a Uranian underground to surface later in the
works of others.”
They realized, as the Action Committee of a gay united front in
Germany declared in 1921, that “in the final analysis, justice
for you will be the fruit only of your own efforts. The
liberation of homosexuals can only be the work of homosexuals
themselves.” This is liberating work that we must continue every
day.
The Shelley-Byron Men may be purchased at Amazon.com or directly from the publisher, Pagan Press (paganpressbooks.com).